"Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio" by Ludwig van Beethoven, Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov was released on January 1, 2000. Since Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 6 in Beethoven: Piano Concertos Nos. 1 & 2 by Ludwig van Beethoven, Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov. Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio by Ludwig van Beethoven, Anton Dikov, Sofia Philharmonic Orchestra, Emil Tabakov is Lento (slowly), since this song has a tempo of 58 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rhapsody in Blue - excerpt | George Gershwin, Wayne Marshall, Aalborg Symphony | E Major | 1 | 12B | 70 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
String Quartet No. 14 in C-Sharp Minor, Op. 131: I. Adagio ma non troppo e molto espressivo | Ludwig van Beethoven, Kodály Quartet | E Major | 3 | 12B | 112 BPM | ||
Piano Concerto No.5 in E flat major Op.73 -"Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Mikhail Pletnev, Russian National Orchestra, Christian Gansch | B Major | 0 | 1B | 141 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": II. Andante | Franz Schubert, Christian Tetzlaff, Antonie Tamestit, Marie-Elisabeth Hecker, Alois Posch | A Minor | 0 | 8A | 177 BPM | ||
セレナード 第13番 ト長調「アイネ・クライネ・ナハトムジーク」 K.525/第4楽章:ロンド:アレグロ(『メリーに首ったけ』より) | スロヴァキア・フィルハーモニー管弦楽団, リボル・ペシェック | A Major | 1 | 11B | 136 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Rossini: Il barbiere di Siviglia: Overture | Gioachino Rossini, Riccardo Muti, Philharmonia Orchestra | G Major | 1 | 9B | 88 BPM | ||
Gymnopédie No. 1 (Orch. Debussy) | Erik Satie, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 67 BPM |