"La valse, M. 72 - Choreographic poem, for Orchestra: La valse" by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez was released on January 1, 1995. La valse, M. 72 - Choreographic poem, for Orchestra: La valse appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Ravel: Daphnis et Chloë". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. La valse, M. 72 - Choreographic poem, for Orchestra: La valse is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La valse, M. 72 - Choreographic poem, for Orchestra: La valse by Maurice Ravel, Berliner Philharmoniker, Pierre Boulez having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In C Sharp Minor: II. Stürmisch bewegt. Mit größter Vehemenz | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | B♭ Minor | 2 | 3A | 82 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Symphony No. 36 in C Major, K. 425 "Linz": 2. Andante | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 78 BPM | ||
Don Juan, Op. 20, TrV 156 | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 85 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | ||
Etudes-tableaux, Op. 33: No. 5 in D Minor. Moderato | Sergei Rachmaninoff, Nikolai Lugansky | D Minor | 1 | 7A | 76 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 181 BPM |