Ferdinando Nazaro, KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro's 'Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I' came out on July 10, 1905. Since Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro's "KLK Symphony Orchestra: Ugoletti, Nazzaro, Procaccini, Pedini" album is number 3 out of 9. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto n°2 per violino e orchestra: II. Gelido - Agitato - Mosso - Calmo - Tempo I by Ferdinando Nazaro, KLK Symphony Orchestra, Marko Komonko, Ferdinando Nazzaro to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Profundamente | André Mehmari, Alejandro Aldana | F Major | 1 | 7B | 71 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Piano Concerto No. 2, Sz. 95: I. Allegro | Béla Bartók, Lang Lang, Sir Simon Rattle, Berliner Philharmoniker | D Major | 3 | 10B | 98 BPM | ||
Cello Concerto No. 2 in D Minor, Op. 119: III. Allegro non troppo | Camille Saint-Saëns, Johannes Moser, Stuttgart Radio Symphony Orchestra, Fabrice Bollon | B♭ Major | 1 | 6B | 93 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
The End of the World for Vocalists and Orchestra: II. Grace of the St. Paul - Live at JOE HISAISHI & WORLD DREAM ORCHESTRA 2015 | Joe Hisaishi, 新日本フィルワールドドリームオーケストラ | G Major | 3 | 9B | 173 BPM | ||
ハリー・ポッターと賢者の石~子供のための管弦楽組曲 ヘドウィグの飛行 | John Williams, Tokyo Symphony Orchestra | A♭ Major | 1 | 4B | 97 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Quatuor pour la fin du temps (Quartet for the End of Time): Louange à l'éternité de Jésus | Olivier Messiaen, William Pleeth, Erich Gruenberg, Gervase De Peyer, Michel Béroff | E Major | 0 | 12B | 189 BPM | ||
The Miraculous Mandarin, BB 82, Sz. 73 (Op. 19): Allegro: Introduction | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D♭ Minor | 4 | 12A | 59 BPM |