On February 10, 2014, the song "Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai" was released by Johann Sebastian Bach, Freiburger Barockorchester. The duration of Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Freiburger Barockorchester's "J. S. Bach: Brandenburg Concertos" album is number 10 out of 18. On top of that, France appears to be the country where this track was created. In terms of popularity, Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai by Johann Sebastian Bach, Freiburger Barockorchester to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | D Major | 1 | 10B | 86 BPM | ||
Concerto for 3 Violins in D Major, BWV 1064R: I. Allegro | Johann Sebastian Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon, Linda Melsted, David Greenberg | B Minor | 1 | 10A | 86 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: II. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 145 BPM | ||
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: Allegro | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Concerto in G Minor: III. Allegro | Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries | G Minor | 1 | 6A | 136 BPM | ||
Concerto In Sol maggiore: Allegro | Modo Antiquo | F♯ Major | 1 | 2B | 111 BPM | ||
Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | A Major | 2 | 11B | 80 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: V. Gavotte | George Frideric Handel, Iona Brown, Jonathan Rees, Academy of St. Martin in the Fields | B Major | 2 | 1B | 182 BPM | ||
Bach, JS: Trio Sonata in G Major, BWV 1039: III. Adagio e piano | Johann Sebastian Bach, Marc Hantai/Ageet Zweistra/Jerome Hantai/Pierre Hantaï | G Major | 3 | 9B | 92 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM |