Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus]
- テンポ
- 171
- キー
- E Minor
- キャメロットミュージックキー
- 9A
Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] - Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hans Martin Nau, Theo Adam, Gewandhausorchester Leipzig, Rudolf Mauersberger, Erhard Mauersberger 情報
- 音響性
- 94%
- ダンサビリティ
- 35%
- エネルギー
- 14%
- 手段性
- 0%
- 活気
- 79%
- ラウドネス
- 70%
- 話し言葉
- 5%
- 価数
- 18%
- 人気
- 0%
- ラウドネス
- -17.967 dB
まとめ
"Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus]" by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hans Martin Nau, Theo Adam, Gewandhausorchester Leipzig, Rudolf Mauersberger, Erhard Mauersberger was released on October 1, 2019. The duration of Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 135 in the song's album "Quintessence J.S. Bach: Matthäus Passion, Johannes Passion". In this album, this song's track order is #36. The popularity of Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] テンポ
With Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] by Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Peter Schreier, Hans Martin Nau, Theo Adam, Gewandhausorchester Leipzig, Rudolf Mauersberger, Erhard Mauersberger having a テンポ of 171 with a half-time of 86 テンポ and a double-time of 342 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Matthäus-Passion, BWV 244, Pt. 2: No. 36, Recitative. "Und der Hohepriester antwortete und sprach zu ihm" (Evangelist, Caiaphas, Jesus) - "Er ist des Todes schuldig!" [Chorus] - "Da speieten sie aus" [Evangelist] - "Weissage uns, Christe" [Chorus] キー
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
おすすめの曲
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | |
 | Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Glenn Gould | A♭ Major | 0 | 4B | 123 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | Cello Suite No. 1 in G Major, BWV 1007 (arr. for double bass): I. Prelude | Anonymous , Johann Sebastian Bach, Daxun Zhang | B Minor | 1 | 10A | 135 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | |
 | Concerto for Strings and Continuo in G Major, RV. 151 "Concerto alla Rustica": I. Presto | Antonio Vivaldi, The English Concert, Trevor Pinnock | F Minor | 1 | 4A | 62 BPM | |
 | Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM |
- ISRC
- This song does not have an ISRC.
- レコードレーベル
- L-M Records/RCA Records