DR. MORBIUS, Markus Auge, Schulz-Vobach, Karen, Schenk, Udo, Wolff, Thomas Nero, Bierstedt, Marie, Rode, Christian made "Teil 8 - Folge 6: Auf immer und ewig" available on September 16, 2016. The duration of Teil 8 - Folge 6: Auf immer und ewig is about 3 minutes long, at 3:01. Based on our data, "Teil 8 - Folge 6: Auf immer und ewig" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 18 in Folge 6: Auf immer und ewig by DR. MORBIUS. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Teil 8 - Folge 6: Auf immer und ewig's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Teil 8 - Folge 6: Auf immer und ewig by DR. MORBIUS, Markus Auge, Schulz-Vobach, Karen, Schenk, Udo, Wolff, Thomas Nero, Bierstedt, Marie, Rode, Christian is Allegro (fast, quick, and bright), since this song has a tempo of 145 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Im Kloster des Schreckens Kapitel 11 | Die 3 Senioren | D♭ Major | 5 | 3B | 108 BPM | ||
Teil 20 - Akte 12: Jäger der Finsternis | Lovecraft - Chroniken des Grauens, Markus Winter, Wolfgang Pampel, Tommy Morgenstern, Dietmar Wunder, Hans Bayer, Björn Schalla | E♭ Major | 5 | 5B | 128 BPM | ||
Teil 1 - Folge 59: Wenn das Grauen sich erhebt | Tony Ballard, Thomas Birker, Gerrit Schmidt-Foß, Peter Lontzek, Patrick Bach, Farina Brock, Stefan Lindner, Peter Kirchberger, Derya Flechtner, Sarah Riedel, Katharina von Daake, Peter Lehn, Friedhelm Ptok, Susanna Bonaséwicz, Jasmin Ewers, Holger Löwenberg, Mike Wirth, Ren Kühn | G Major | 3 | 9B | 97 BPM | ||
PW 014 - Teil 23 | Point Whitmark | G Major | 4 | 9B | 84 BPM | ||
Teil 10 - Folge 8: Auf Eis gelegt | NYPDead - Medical Report, Andreas Masuth, Wolfgang Condrus, Norman Matt, Luisa Wietzorek, Peter Weis, Joachim Tennstedt, Andrea Aust, Oliver Stritzel, Marius Claren, Annina Braunmiller-Jest, Tetje Mierendorf, Florentine Draeger, Dagmar Dreke, Holger Löwenberg, Wolfgang Bahro, Hans-Jürgen Dittberner, Gabrielle Pietermann, Anja Taborsky | D♭ Major | 7 | 3B | 140 BPM | ||
Teil 11 - Folge 47: Rüde Gebrüder | Offenbarung 23, Jan Gaspard, Helmut Krauss, Alexander Turrek, Peter Flechtner, Jaron Löwenberg, Till Hagen, Philine Peters-Arnolds, Lutz Mackensy, Gordon Piedesack, Robert Missler, Wolfgang Bahro, Michael Harck, Peter Weis, Friederike Solak, Beate Brandt | D♭ Major | 8 | 3B | 101 BPM | ||
Kapitel 8.2 - Das dunkle Meer der Sterne - Tethys | Dane Rahlmeyer | G Major | 7 | 9B | 125 BPM | ||
Eiskalt Kapitel 8 | Midnight Tales, Christoph Piasecki | A Minor | 9 | 8A | 131 BPM | ||
Teil 11 - Folge 26: Todbringende Eucharistie | Pater Brown, Ben Sachtleben, Gilbert Keith Chesterton, Volker Brandt, Stephan Schwartz, Peter Groeger, Volker Bogdan, Kai-Henrik Möller, Claudia Gahrke | G Major | 4 | 9B | 84 BPM | ||
Teil 1 - Folge 46: Lizenz zum Gelddrucken | Offenbarung 23, Jan Gaspard, Helmut Krauss, Alexander Turrek, Peter Flechtner, Jaron Löwenberg, Till Hagen, Jens Riewa, Peter Weis, Katja Brügger, Stefan Fredrich, Arianne Borbach, Oliver Böttcher, Peter Lontzek, Uve Teschner | D♭ Major | 5 | 3B | 61 BPM |