"In the Manger (Arr. Leopold Stokowski)" by Mikhail Ippolitov-Ivanov, Matthias Bamert, BBC Philharmonic was released on March 1, 1995. The duration of In the Manger (Arr. Leopold Stokowski) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. In the Manger (Arr. Leopold Stokowski)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Stokowski Encores". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. In the Manger (Arr. Leopold Stokowski) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In the Manger (Arr. Leopold Stokowski) by Mikhail Ippolitov-Ivanov, Matthias Bamert, BBC Philharmonic having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in G Major: II. Andante | Hubert Parry, Matthias Bamert, London Philharmonic Orchestra | E♭ Major | 0 | 5B | 83 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Symphony in F Major, Op. 6 No. 3: II. Andante | Adalbert Gyrowetz, London Mozart Players, Matthias Bamert | E♭ Major | 2 | 5B | 98 BPM | ||
Symphony in C Major, Eisen D1, "Sinfonia da camera": III. Andante | Leopold Mozart, London Mozart Players, Matthias Bamert | A Major | 2 | 11B | 149 BPM | ||
Brideshead Revisited: No. 11, Venice | Adrian Johnston, Terry Davies, BBC Philharmonic | E♭ Major | 2 | 5B | 105 BPM | ||
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": Maestoso - Allegro | Camille Saint-Saëns, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 4 | 8B | 98 BPM | ||
Pavane pour une infante défunte (Pavane for a Dead Princess), M. 19 | London Symphony Orchestra | G Major | 1 | 9B | 74 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Symphony in E-Flat Major, Op. 6 No. 2: II. Andante | Adalbert Gyrowetz, London Mozart Players, Matthias Bamert | B♭ Major | 0 | 6B | 97 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM |