"Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu" by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 15 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, R: Mädchenblumen, Op. 22: No. 3, Epheu by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 42, Op. 42, MWV A15: Aria "Meine Seele dürstet nach Gott" - Recitativo "Meine Tränen sind meine Speise" | Felix Mendelssohn, Eiddwen Harrhy, Orchestre de chambre de Paris, Philippe Herreweghe | B♭ Minor | 0 | 3A | 121 BPM | ||
Zigeunermelodien, Op. 55, B. 104 (Sung in German): No. 2. Ei, wie mein Triangel wunderherrlich lautet (Hark, how my triangle) | Antonín Dvořák, Martina Arroyo, Leonard Hokanson | F♯ Minor | 1 | 11A | 86 BPM | ||
Mädchenblumen, Op. 22, TrV 153: No. 4, Wasserrose | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Major | 0 | 6B | 76 BPM | ||
Lieder (Duette), Op. 63: III. Gruß | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Major | 1 | 8B | 137 BPM | ||
Kaddish: Part II, The Holocaust: What a Beautiful Place You Have Here | Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle | A Major | 1 | 11B | 0 BPM | ||
Sechs deutsche Lieder, Opus 25: Nr. 6 Das Schiffermädchen (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | E Major | 1 | 12B | 83 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Der Stein der Weisen, Act II: Herr Astromonte, wir danken euch | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Judith Lovat, Paul Austin Kelly | G Minor | 4 | 6A | 120 BPM | ||
Berlioz: Tristia, Op. 18, H. 119: II. La Mort d'Ophélie, H. 92a | Hector Berlioz, Sabine Devieilhe | B♭ Major | 1 | 6B | 108 BPM | ||
Einsamkeit, D 620: I. Gib mir die Fülle der Einsamkeit! | Franz Schubert, Ian Bostridge, Lars Vogt | G Major | 0 | 9B | 67 BPM |