"Waldscenen. 9 Clavierstücke, Op.82: 7. Vogel als Prophet" by Robert Schumann, Andreas Staier was released on November 18, 2008. The duration of Waldscenen. 9 Clavierstücke, Op.82: 7. Vogel als Prophet is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Waldscenen. 9 Clavierstücke, Op.82: 7. Vogel als Prophet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 41 in the song's album "Schumann: A Tribute to Bach". In this album, this song's track order is #22. Based on our statistics, Waldscenen. 9 Clavierstücke, Op.82: 7. Vogel als Prophet's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Waldscenen. 9 Clavierstücke, Op.82: 7. Vogel als Prophet by Robert Schumann, Andreas Staier having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse sentimentale, Op.51, No.6 | Pyotr Ilyich Tchaikovsky, Heinrich Schiff, Samuel Sanders | A Minor | 0 | 8A | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Ensemble Musique Oblique | A Minor | 0 | 8A | 127 BPM | ||
12 Etudes, Op. 8 (1894): No. 4 Piacevole | Alexander Scriabin, Alexander Paley | B Major | 0 | 1B | 64 BPM | ||
Spanische Liebeslieder, Op. 138: 1. Vorspiel | Robert Schumann, Emanuel Geibel, Christian Gerhaher, Gerold Huber, Julia Kleiter | G Minor | 1 | 6A | 105 BPM | ||
Rêverie | Claude Debussy, Alain Planès | F Major | 0 | 7B | 62 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Requiem (arr. for 3 cellos and piano) | Anonymous , David Popper, Coenraad Bloemendal, Andrés Díaz, Andrew Mark, Valerie Tryon | D Major | 0 | 10B | 94 BPM | ||
The 4 Seasons: Violin Concerto in G minor, Op. 8, No. 2, RV 315, "L'estate" (Summer): I. Allegro non moto | Karoly Botvay | G Minor | 1 | 6A | 132 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM |