"Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse" by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis was released on March 10, 1998. The duration of Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 21 in FAURE: Orchestral Music by Gabriel Fauré. Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse by Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis is Adagio (slowly with great expression), since this song has a tempo of 70 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
2 Sentimental Romances, Op. 28: No. 1 - Andantino in A Major | Wilhelm Stenhammar, Tobias Ringborg, Swedish Chamber Orchestra, Niklas Willen | A Major | 1 | 11B | 87 BPM | ||
Petite Suite No. 1: En bateau (arr. for flute and harp) | Nora Mercz, Claude Debussy, Janos Balint | G Major | 0 | 9B | 173 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM | ||
2 Pieces for Small Orchestra: No. 1. On Hearing the First Cuckoo in Spring | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Minor | 0 | 9A | 107 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Salut D'amour ("love's Greeting") Op. 12 | Budapest Strings, Béla Bánfalvi | D Major | 1 | 10B | 82 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Prélude à l'après-midi d'un faune, L.86 | Claude Debussy, Timothy Hutchins, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Minor | 0 | 1A | 90 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM |