"Le Roi David, H 37, Part. 1: Cantique du berger David" by Arthur Honegger, Ensemble Vocal de Lausanne, L'Orchestre de la Suisse Romande, Daniel Reuss, Marianne Beate Kielland was released on February 3, 2017. With Le Roi David, H 37, Part. 1: Cantique du berger David being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Honegger, L'Orchestre de la Suisse Romande, Daniel Reuss, Athena Poullos, Lucie Chartin, Marianne Beate Kielland, Thomas Walker, Christophe Balissat, Ensemble Vocal de Lausanne's "Honegger: Le Roi David" album is number 2 out of 27. Le Roi David, H 37, Part. 1: Cantique du berger David is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Roi David, H 37, Part. 1: Cantique du berger David by Arthur Honegger, Ensemble Vocal de Lausanne, L'Orchestre de la Suisse Romande, Daniel Reuss, Marianne Beate Kielland to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Jeanne d'Arc au bûcher, Scène II: Le livre | Arthur Honegger, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Marc Soustrot, Xavier Gallais, Marion Cotillard, Madrigal Choir, Lieder Càmera Choir | A Major | 0 | 11B | 171 BPM | ||
Intrada | Arthur Honegger, Reinhold Friedrich, Thomas Duis | E♭ Major | 1 | 5B | 121 BPM | ||
Turangalîla Symphonie: 1. Introduction | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E♭ Minor | 4 | 2A | 143 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Massenet: Don Quichotte, Act 2: Interlude | Jules Massenet, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |