On August 1, 2002, the song "Poems of 1917, Op. 41: III. The Orient in Flanders. Andantino, molto espressivo" was released by Leo Ornstein, Marc-André Hamelin. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Leo Ornstein, Marc-André Hamelin's "Leo Ornstein: Piano Music" album is number 6 out of 29. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Poems of 1917, Op. 41: III. The Orient in Flanders. Andantino, molto espressivo is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Poems of 1917, Op. 41: III. The Orient in Flanders. Andantino, molto espressivo by Leo Ornstein, Marc-André Hamelin to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas cubanas al estilo del siglo XIX (Excerpts): No. 4, Interrumpida | Ernesto Lecuona, Kristhyan Benitez | F♯ Minor | 1 | 11A | 68 BPM | ||
Schulhof: 3 Bearbeitungen nach Motiven von Johann Strauss, Op. 9: No. 2, Pizzicato-Polka | Otto Schulhof, Aurélien Pontier | D♭ Major | 2 | 3B | 155 BPM | ||
Eternal Paradox | AKIRA HONDA | A Minor | 1 | 8A | 92 BPM | ||
Eternal Rest | Jade Spirit | F Major | 2 | 7B | 92 BPM | ||
Cradle Song | Leo Ornstein, Lorin Jones-Stubbs | A♭ Major | 1 | 4B | 69 BPM | ||
Clarinet Sonata in E-Flat, Op. 120 No. 2_ II. Allegro appassionato | Johannes Brahms, Joan Enric Lluna, Josu De Solaun | A Major | 1 | 11B | 124 BPM | ||
Gymnopédie No. 1 | Erik Satie, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVb. Pas de deux. Variation | Igor Stravinsky, Thomas Adès, Anthony Marwood | D Minor | 2 | 7A | 100 BPM | ||
Vals de Santo Domingo | Bullumba Landestoy, Carlos Manuel Vargas | D♭ Minor | 2 | 12A | 94 BPM | ||
Nocturne No. 6 in D-Flat Major, Op. 63 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM |