Ludwig van Beethoven, Malte Arkona's 'Beethoven auf der Spur - Hörspiel zu Sinfonie Nr. 5 c-moll, Op. 67 - Teil 06' came out on July 24, 2020. The duration of Beethoven auf der Spur - Hörspiel zu Sinfonie Nr. 5 c-moll, Op. 67 - Teil 06 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Beethoven auf der Spur - Hörspiel zu Sinfonie Nr. 5 c-moll, Op. 67 - Teil 06's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Orchester-Detektive: Beethoven auf der Spur!". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Beethoven auf der Spur - Hörspiel zu Sinfonie Nr. 5 c-moll, Op. 67 - Teil 06 is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Beethoven auf der Spur - Hörspiel zu Sinfonie Nr. 5 c-moll, Op. 67 - Teil 06 by Ludwig van Beethoven, Malte Arkona having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 73 BPM | ||
Waltz No. 6 in D-Flat Major, Op. 64, No. 1 "Minute" | Frédéric Chopin, Alice Sara Ott | A♭ Major | 0 | 4B | 169 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | Ludwig van Beethoven, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra | D Major | 6 | 10B | 76 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM |