John Barry made "Opening Titles / James Bond Is Back / From Russia With Love / James Bond Theme" available on July 1, 2015. The duration of Opening Titles / James Bond Is Back / From Russia With Love / James Bond Theme is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Opening Titles / James Bond Is Back / From Russia With Love / James Bond Theme's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Barry's "James Bond Soundtrack: From Russia With Love" album is number 1 out of 18. On top of that, Belgium appears to be the country where this track was created. Based on our statistics, Opening Titles / James Bond Is Back / From Russia With Love / James Bond Theme's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Opening Titles / James Bond Is Back / From Russia With Love / James Bond Theme by John Barry to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kay | Carmine Coppola | C Major | 2 | 8B | 87 BPM | ||
The Godfather Waltz - Main Title | London Pops Orchestra, Nelson Corbin | E♭ Major | 2 | 5B | 106 BPM | ||
Some Like It Hot | Matty Malnec (conductor), Matty Malnec's Orchestra | E♭ Major | 4 | 5B | 82 BPM | ||
STRIPES: March | The Meridian Studio Ensemble | B♭ Major | 6 | 6B | 123 BPM | ||
Original Series Main Title | Star Trek - 30th Anniversary S | B♭ Major | 3 | 6B | 78 BPM | ||
Tracy Lounge Piano | Barry Gray | F Major | 2 | 7B | 96 BPM | ||
Over & Out - Remastered | John Barry, Louis Armstrong, Michael McDonald (remixer) | B♭ Major | 2 | 6B | 61 BPM | ||
What A Beautiful Day! | George Fenton | E Major | 3 | 12B | 125 BPM | ||
Coda: The Godfather Finale | Carmine Coppola | F Minor | 1 | 4A | 87 BPM | ||
Warhead (Digital Bonus Track) | Daniel Pemberton | E Major | 5 | 12B | 120 BPM |