"The Nutcracker, Op. 71, TH.14 / Act 2: No. 14c Pas de deux: Variation II (Dance Of The Sugar-Plum Fairy)" by Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa was released on January 8, 2022. The duration of The Nutcracker, Op. 71, TH.14 / Act 2: No. 14c Pas de deux: Variation II (Dance Of The Sugar-Plum Fairy) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. The Nutcracker, Op. 71, TH.14 / Act 2: No. 14c Pas de deux: Variation II (Dance Of The Sugar-Plum Fairy)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 92 in the song's album "Start 2022 with Tchaikovsky". In this album, this song's track order is #11. In terms of popularity, The Nutcracker, Op. 71, TH.14 / Act 2: No. 14c Pas de deux: Variation II (Dance Of The Sugar-Plum Fairy) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Nutcracker, Op. 71, TH.14 / Act 2: No. 14c Pas de deux: Variation II (Dance Of The Sugar-Plum Fairy) by Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Les Indes galantes, RCT 44 / Entrée IV: Danse des sauvages | Jean-Philippe Rameau, Daniel Hope, Michael Metzler, Zürcher Kammerorchester | G Minor | 3 | 6A | 107 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 | Franz Liszt, Vladimir Horowitz | D♭ Major | 3 | 3B | 80 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Giselle: No. 21 - Andante | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | E♭ Major | 0 | 5B | 73 BPM | ||
Danse Macabre, Op. 40, R.171 | Camille Saint-Saëns, Orchestre Symphonique de Montréal, Andrew Wan, Kent Nagano | G Minor | 1 | 6A | 107 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | F Major | 1 | 7B | 82 BPM |