Jm Harmony made "An karess since" available on 1993. With this song being about 5 minutes long, at 4:49, "An karess since" by Jm Harmony is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jm Harmony's "Gold" album is number 1 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, An karess since is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of An karess since by Jm Harmony to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amour été | Didier | G Major | 6 | 9B | 176 BPM | ||
Romantik | Tatiana Miath | G Major | 7 | 9B | 99 BPM | ||
Je suis guérie de toi | Christelle Rosette | F♯ Major | 8 | 2B | 176 BPM | ||
Vine ô swè là | Guilou | E♭ Major | 8 | 5B | 200 BPM | ||
Adan lannwit | Jim Rama, Patrick Andrey | C Minor | 7 | 5A | 90 BPM | ||
Liaison fatale | Eddy Miath | A♭ Minor | 5 | 1A | 100 BPM | ||
Téléphone mwen | Phil Control | F Minor | 8 | 4A | 94 BPM | ||
T'oublier | Jean-Marie Ragald | D Major | 8 | 10B | 176 BPM | ||
Ou T Konnet | Tatiana Miath | D♭ Minor | 8 | 12A | 174 BPM | ||
Appelle-moi | Jean-Marie Ragald | E Major | 9 | 12B | 90 BPM |