"La déploration [sur la mort] de Johannes Ockeghem, IJ. 66: Nymphes des bois - Requiem æternam" by Josquin des Prez, Cappella Amsterdam, Daniel Reuss was released on October 26, 2018. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josquin des Prez, Daniel Reuss, Cappella Amsterdam's "Josquin des Prez: Miserere mei Deus" album is number 1 out of 17. Based on our statistics, La déploration [sur la mort] de Johannes Ockeghem, IJ. 66: Nymphes des bois - Requiem æternam's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La déploration [sur la mort] de Johannes Ockeghem, IJ. 66: Nymphes des bois - Requiem æternam by Josquin des Prez, Cappella Amsterdam, Daniel Reuss to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Georgii: I. Kyrie | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | A Major | 0 | 11B | 74 BPM | ||
Jubilate Deo | Cristobal de Morales, Stile Antico | B♭ Minor | 2 | 3A | 88 BPM | ||
O Euchari columba | Hildegard von Bingen, Voices of Ascension, women section, Dennis Keene | A Minor | 0 | 8A | 67 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Cantate: I. A lyke-wake dirge. Versus 1. Prelude "This ae nighte" | Igor Stravinsky, RIAS Kammerchor, Ensemble Musikfabrik, Carolyn Sampson, Jan Kobow, Daniel Reuss | B♭ Major | 1 | 6B | 153 BPM | ||
Sept Répons des Ténèbres, FP 181: Sept Répons des Ténèbres, FP 181: VI. Sepulto Domino | Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra | D Minor | 2 | 7A | 92 BPM | ||
Stabat Mater: Stabat Mater: VII. Eja mater, fons amoris | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | E♭ Major | 2 | 5B | 120 BPM | ||
Introitus: Gaudeamus omnes in domino | Guillaume de Machaut, Ensemble Gilles Binchois, Dominique Vellard | E Major | 1 | 12B | 73 BPM | ||
Du tout plongiet/Fors seulement | Antoine Brumel, The Clerks' Group, Edward Wickham | C Minor | 1 | 5A | 82 BPM | ||
The Writings: No. 3, For Love is Strong (After the Song of Songs) | David Lang, Cappella Amsterdam, Daniel Reuss | A Minor | 2 | 8A | 135 BPM |