"Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): IV. Allegro non troppo [Probe letzter Satz]" by Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra was released on April 1, 2022. The duration of Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): IV. Allegro non troppo [Probe letzter Satz] is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): IV. Allegro non troppo [Probe letzter Satz]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Shostakovich: Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): IV. Allegro non troppo [Probe letzter Satz]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 7 in C Major, Op. 60 "Leningrad" (Rehearsal Excerpts): IV. Allegro non troppo [Probe letzter Satz] by Dmitri Shostakovich, Mariss Jansons, Bavarian Radio Symphony Orchestra having a テンポ of 124 with a half-time of 62 テンポ and a double-time of 248 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: IV. Italiana | Ottorino Respighi, Konstantin Scherbakov | B Minor | 0 | 10A | 197 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
12 Études, Op. 10: No. 4 in C-Sharp Minor "Torrent" | Frédéric Chopin, Maurizio Pollini | D♭ Minor | 3 | 12A | 85 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM |