Johann Sebastian Bach, Christian-Pierre La Marca made "Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium" available on March 18, 2013. The duration of Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach 6 Suites pour violoncelle by Johann Sebastian Bach, Christian-Pierre La Marca. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Suite pour violoncelle No.1 en sol majeur, BWV 1007: Praeludium by Johann Sebastian Bach, Christian-Pierre La Marca is Presto (very, very fast), since this song has a tempo of 200 テンポ. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Lac des cygnes, Acte 2: Moderato | Orchestre Symphonique de Minneapolis, Antal Doráti | E Minor | 3 | 9A | 95 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Les berceaux, Op. 23 No. 1 | Gabriel Fauré, Christian-Pierre La Marca | C Minor | 0 | 5A | 65 BPM | ||
Mozart: Concerto For Clarinet And Orchestra In A (K. 622) | Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 84 BPM | ||
Thaïs: Méditation | Herbert von Karajan, Anne-Sophie Mutter, Berliner Philharmoniker | E Minor | 1 | 9A | 99 BPM | ||
Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 | Frédéric Chopin, Alice Sara Ott | F Minor | 1 | 4A | 80 BPM | ||
Pachelbel: Canone | Johann Pachelbel, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | F Major | 4 | 7B | 98 BPM | ||
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM |