"Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 - Musical Moments" by Frédéric Chopin, Rafał Blechacz was released on June 7, 2024. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Chopin: Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 (Musical Moments) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 - Musical Moments is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Waltz No. 7 in C-Sharp Minor, Op. 64 No. 2 - Musical Moments by Frédéric Chopin, Rafał Blechacz is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bereceuse, Op. 57 | Valentina Lisitsa | D♭ Major | 0 | 3B | 134 BPM | ||
Pirouettes 3/4 (Op. 6 n°1 Mazurka in F♯ min) | The Ballet Pianist | A♭ Major | 0 | 4B | 120 BPM | ||
楽興の時 ヘ短調 D.780-3 | ペーター・レーゼル | F Minor | 1 | 4A | 99 BPM | ||
Waltz No.4 in F, Op.34 No.3 | Frédéric Chopin, Adam Harasiewicz | E Major | 2 | 12B | 62 BPM | ||
Oblivion - piano four hands | Ad Parnassum Piano Duo, Astor Piazzolla arr. Biagio Lo Cascio | A Minor | 3 | 8A | 172 BPM | ||
エチュード 第1番 変イ長調 「エオリアン・ハープ」作品25-1 | Fujiko Hemming | A♭ Major | 1 | 4B | 84 BPM | ||
Impromptu, Thema med Variationer, Op. 18: IV. Variation 3 | Signe Lund, Rune Alver | F♯ Major | 0 | 2B | 71 BPM | ||
Mazurka op.6 no.1 in F Sharp Minor - electronic version | Masters of Classic | A Major | 1 | 11B | 76 BPM | ||
Prelude in C minor, Op. 23, No. 7 | Sergei Rachmaninoff, Valentin Magyar | A♭ Major | 1 | 4B | 81 BPM | ||
La Mouche. Op. 12 (The Fly, from Romance Sans Paroles) - Duo-Art 6283 | L. L. Delahaye, Paquita Madriguera, Peter Phillips | C Major | 1 | 8B | 63 BPM |