György Ligeti, Pierre-Laurent Aimard's 'Études, Book 1: No. 3, Touches bloquées' came out on December 11, 1996. With Études, Book 1: No. 3, Touches bloquées being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Ligeti, Pierre-Laurent Aimard's "György Ligeti Edition, Vol. 3" album is number 3 out of 26. Études, Book 1: No. 3, Touches bloquées is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Études, Book 1: No. 3, Touches bloquées by György Ligeti, Pierre-Laurent Aimard to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nuits | Iannis Xenakis, Schola Heidelberg, Walter Nußbaum | D Major | 2 | 10B | 123 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Études, Book 1: No. 6, Automne à Varsovie | György Ligeti, Pierre-Laurent Aimard | A♭ Major | 1 | 4B | 75 BPM | ||
String Quartet No. 5: I. — | Philip Glass, Carducci String Quartet | C Minor | 1 | 5A | 109 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Violin Concerto: III. Intermezzo | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | B♭ Major | 1 | 6B | 82 BPM | ||
Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
Cello Sonata: I. Dialogo | György Ligeti, Miklós Perényi | F Major | 0 | 7B | 94 BPM |