"Praise to the Holiest in the Height" by Richard Runciman Terry, St. John Henry Newman, The Sixteen, Simon Johnson, Harry Christophers was released on June 3, 2022. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 12 in A Meditation by The Sixteen, Harry Christophers. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Praise to the Holiest in the Height is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Praise to the Holiest in the Height by Richard Runciman Terry, St. John Henry Newman, The Sixteen, Simon Johnson, Harry Christophers is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
The Lord's Prayer | The University Of Notre Dame Folk Choir | C Major | 3 | 8B | 108 BPM | ||
Highwood (Hark, What A Sound) | Sir Richard Runciman Terry, Robert James Stove | E Minor | 2 | 9A | 86 BPM | ||
Angel Voices, Ever Singing | Edwin George Monk, Choir of St Mary's Cathedral, Edinburgh, Peter Backhouse, Dennis Townhill | D Major | 0 | 10B | 101 BPM | ||
Love the Lord | Tapestry Chamber Singers | E♭ Major | 1 | 5B | 127 BPM | ||
O Lord, Hear My Prayer | The London Fox Taize Choir | E Minor | 1 | 9A | 90 BPM | ||
The Comforter Has Come | Choirs & Orchestra Of The New Apostolic Church Cape Town | F Major | 3 | 7B | 77 BPM | ||
Unless the Lord Build up the House (Psalm 127a) | Crown & Covenant | G Major | 2 | 9B | 93 BPM | ||
Man singet mit Freuden vom Sieg (Chorus) | Johann Sebastian Bach, Malin Hartelius, Richard Wyn Roberts, James Gilchrist, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 94 BPM | ||
How Can I Keep from Singing? | The Biralee Blokes, Ashreya Ward, Justine Favell, Paul Holley | A♭ Major | 1 | 4B | 123 BPM |