"Historia der Auferstehung Jesu Christi, SWV 50: VI. Da sie aber hineingingen" by Heinrich Schütz, Tobias Mäthger, Georg Poplutz, Felix Schwandtke, Martin Schicketanz, Hille Perl, Lee Santana, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann was released on February 1, 2014. With Historia der Auferstehung Jesu Christi, SWV 50: VI. Da sie aber hineingingen being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. The popularity of Historia der Auferstehung Jesu Christi, SWV 50: VI. Da sie aber hineingingen is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Historia der Auferstehung Jesu Christi, SWV 50: VI. Da sie aber hineingingen by Heinrich Schütz, Tobias Mäthger, Georg Poplutz, Felix Schwandtke, Martin Schicketanz, Hille Perl, Lee Santana, Ludger Rémy, The Sirius Viols, Hans-Christoph Rademann having a テンポ of 169 with a half-time of 84 テンポ and a double-time of 338 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Thou Knowest, Lord, the Secrets of Our Hearts, Z. 58c | Henry Purcell, The Gesualdo Six, Owain Park | D Minor | 2 | 7A | 69 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Quis te comprehendat, K. Anh. 110 | Wolfgang Amadeus Mozart, The Cathedral Singers, Richard Proulx | E♭ Major | 1 | 5B | 80 BPM | ||
Euridice: Sinfonia | Giulio Caccini, Rinaldo Alessandrini, Concerto Italiano | G Major | 2 | 9B | 79 BPM | ||
Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | A Minor | 1 | 8A | 105 BPM | ||
Unser Wandel ist im Himmel, SWV 390 | Heinrich Schütz, Ensemble Polyharmonique, Alexander Schneider, Juliane Laake, Klaus Eichhorn, Magdalene Harer, Joowon Chung, Johannes Gaubitz, Sören Richter, Matthias Lutze | F♯ Major | 1 | 2B | 166 BPM | ||
XXVI. Weil du vom Tod erstanden bist | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Peter Kooij, Paul Dombrecht | D♭ Minor | 1 | 12A | 116 BPM | ||
21. Coro: Finale Hier liegen wir gerührte Sünder | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | F Major | 2 | 7B | 72 BPM |