"Greenwood: 48 Responses to Polymorphia: Ranj" by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra was released on March 9, 2012. The duration of Greenwood: 48 Responses to Polymorphia: Ranj is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Greenwood: 48 Responses to Polymorphia: Ranj's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Penderecki & Greenwood: Threnody for the Victims of Hiroshima / Popcorn Superhet Receiver / Polymorphia / 48 Responses to Polymorphia". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, Greenwood: 48 Responses to Polymorphia: Ranj's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Greenwood: 48 Responses to Polymorphia: Ranj by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO Orchestra having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
That's As May Be | Jonny Greenwood | A♭ Major | 1 | 4B | 97 BPM | ||
And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 86 BPM | ||
The Money Train | Nick Cave & Warren Ellis | D Minor | 2 | 7A | 60 BPM | ||
Water Theme No. 1 | Hanan Townshend | G Major | 2 | 9B | 69 BPM | ||
Prospectors Arrive | There Will Be Blood | F Minor | 2 | 4A | 66 BPM | ||
Do We Lose 21 Grams? | Gustavo Santaolalla | F♯ Minor | 0 | 11A | 215 BPM | ||
Ahuvi | Shye Ben Tzur, Jonny Greenwood, The Rajasthan Express | E Major | 2 | 12B | 121 BPM | ||
Ice | David Motion, Sally Potter | A Minor | 1 | 8A | 97 BPM | ||
Ghost | jung jaeil | A Minor | 2 | 8A | 168 BPM | ||
Don't Blow It | Cliff Martinez | A Minor | 2 | 8A | 180 BPM |