"A Month in the Country, Op. 446: II. Alla marcia" by Howard Blake, English Northern Philharmonia, Paul Daniel was released on November 3, 2023. With A Month in the Country, Op. 446: II. Alla marcia being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Howard Blake, Philharmonia Orchestra, English Northern Philharmonia, Paul Daniel's "Howard Blake: Orchestral Works" album is number 15 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, A Month in the Country, Op. 446: II. Alla marcia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Month in the Country, Op. 446: II. Alla marcia by Howard Blake, English Northern Philharmonia, Paul Daniel to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Pieces for Strings, C. 50j (From "Henry V"): No. 2, Touch Her Soft Lips and Part | William Walton, Malmö Opera Orchestra, Joseph Swensen | C Major | 0 | 8B | 76 BPM | ||
Belshazzar's Feast: Praise | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | E Minor | 4 | 9A | 119 BPM | ||
Intend | Orion King | D♭ Major | 2 | 3B | 151 BPM | ||
Spitfire Prelude and Fugue | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 4 | 8B | 125 BPM | ||
Love for a Goddess | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
18. I Have Dreamed [The King and I] | Richard Rodgers, Bryn Terfel, English Northern Philharmonia, Paul Daniel | B♭ Major | 1 | 6B | 50 BPM | ||
Sounds of joy | Alejandro Llovet Abascal | C Major | 3 | 8B | 88 BPM | ||
Shchedrin: Carmen Suite: VIII. Bolero (after Bizet's opera) | Rodion Shchedrin, Rachmaninoff International Orchestra, Mikhail Pletnev | A Minor | 6 | 8A | 175 BPM | ||
Symphony No. 2 in E-Flat Major, Op. 63: III. Rondo (Presto) | Edward Elgar, Hallé, Sir Mark Elder | D Major | 1 | 10B | 134 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM |