Nikolai Rimsky-Korsakov, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner's 'Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee' came out on December 31, 1985. The duration of Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee is about 3 minutes long, at 3:16. Based on our data, "Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 15 in Barcarole - Beliebte Orchesterstücke by Sir Neville Marriner, Radio Sinfonieorchester Stuttgart, Sir Neville Marriner, Radio-Sinfonieorchester Stuttgart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee by Nikolai Rimsky-Korsakov, Radio-Sinfonieorchester Stuttgart, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Romeo and Juliet, Op. 64: No. 13 Dance of the Knights | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | C Major | 1 | 8B | 73 BPM | ||
String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5b. Songe d'une nuit du Sabbat - Dies irae | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 1 | 6A | 63 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Prokofiev: 10 Pieces from Romeo & Juliet, Op. 75: VI. Montagues and Capulets | Sergei Prokofiev, Nikolai Lugansky | F Major | 0 | 7B | 90 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM |