"Requiem (Version for Choir, Cello, Percussion & Organ): VI. Agnus Dei" by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston was released on March 20, 2020. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Rob Johnston's "Matthew Coleridge: Requiem" album is number 6 out of 7. On top of that, United Kingdom appears to be the country where this track was created. Requiem (Version for Choir, Cello, Percussion & Organ): VI. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem (Version for Choir, Cello, Percussion & Organ): VI. Agnus Dei by Matthew Coleridge, RSVP Voices, Guy Johnston, Stephen Farr, Unknown Artist, Rob Johnston to be Larghetto (rather broadly) because the track has a tempo of 66 テンポ, a half-time of 33テンポ, and a double-time of 132 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Songs of Faith: hope, faith, life, love | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
Retire My Soul | William Byrd, Stile Antico | D Minor | 1 | 7A | 58 BPM | ||
Missa Sancti Georgii: III. Credo | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | E Major | 1 | 12B | 62 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Three Shakespeare Songs: No. 2, Under the Greenwood Tree | Clive Osgood, Sofia Vokalensemble, Bengt Ollen | D Major | 2 | 10B | 70 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM |