"Israel in Egypt, HWV 54 / Pt. 1: Exodus: 15. "And Israel saw" 16. "And believed the Lord"" by George Frideric Handel, Christ Church Cathedral Choir, Oxford, English Chamber Orchestra, Simon Preston was released on April 1, 1976. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Simon Preston, Christ Church Cathedral Choir, Oxford, English Chamber Orchestra's "Handel: Israel in Egypt" album is number 14 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Israel in Egypt, HWV 54 / Pt. 1: Exodus: 15. "And Israel saw" 16. "And believed the Lord"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Israel in Egypt, HWV 54 / Pt. 1: Exodus: 15. "And Israel saw" 16. "And believed the Lord" by George Frideric Handel, Christ Church Cathedral Choir, Oxford, English Chamber Orchestra, Simon Preston to be Allegro (fast, quick, and bright) because the track has a tempo of 148 テンポ, a half-time of 74テンポ, and a double-time of 296 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite messe solennelle: I. Kyrie. Kyrie eleison | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | C Major | 0 | 8B | 116 BPM | ||
Mr. Knightley Chases After Emma | Isobel Waller-Bridge, David Schweitzer | A Major | 2 | 11B | 84 BPM | ||
Libera Me | Lynne Dawson | F Major | 3 | 7B | 81 BPM | ||
Flow, my tears | John Dowland, Stile Antico | B♭ Minor | 1 | 3A | 83 BPM | ||
Qui habitat à 24 | Josquin des Prez, Huelgas Ensemble, Paul Van Nevel | F Major | 3 | 7B | 106 BPM | ||
The Crowd Embrace | Johnny Klimek, Reinhold Heil, Tom Tykwer, Berliner Philharmoniker, Sir Simon Rattle | G Major | 0 | 9B | 82 BPM | ||
Rinaldo: Lascia ch'io pianga | Lesley Garrett, Ivor Bolton, Philharmonia Orchestra | D Major | 2 | 10B | 106 BPM | ||
Tallis: Spem in Alium - 1. Spem in Alium | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 138 BPM | ||
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
Dido & Aeneas, Z. 626, Act III Scene 2: Dido - “When I am laid in earth” | Henry Purcell, Rachael Lloyd, Armonico Consort, Christopher Monks | G Minor | 1 | 6A | 82 BPM |