Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris's 'Carmen / Act 2: Couplets: "Votre toast, je peux vous le rendre"' came out on January 1, 1983. With this song being about 5 minutes long, at 5:24, "Carmen / Act 2: Couplets: "Votre toast, je peux vous le rendre"" by Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 55 in Bizet: Carmen by Georges Bizet, Agnes Baltsa, José Carreras, José van Dam, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan. In terms of popularity, Carmen / Act 2: Couplets: "Votre toast, je peux vous le rendre" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen / Act 2: Couplets: "Votre toast, je peux vous le rendre" by Georges Bizet, Christine Barbaux, Jane Berbié, Agnes Baltsa, Michel Marinpouille, Alexander Malta, José van Dam, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 2: "Di Madride noi siam mattadori" | Giuseppe Verdi, Stefania Malagu, Walter Gullino, Giovanni Foiani, Alfredo Giacomotti, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 4 | 9B | 138 BPM | ||
Le docteur Miracle: Scene 11: Ah, c'est vous, tendre amie (Le Podestat, Veronique, Laurette) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | F Minor | 0 | 4A | 79 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Tristan und Isolde (1988 Digital Remaster), Act III, Scene III: Mild und leise wie er lächelt (Isoldes Liebestod) | Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 176 BPM | ||
Le docteur Miracle: Scene 4: Allons, tu as des connaissances tres variees (Le Podestat, Pasquin) | Ludovic Halévy, Georges Bizet, Leon Battu, Marie-Bénédicte Souquet, Isabelle Druet, Jerome Billy, Pierre-Yves Pruvot, Orchestre Lyrique de Region Avignon-Provence, Samuel Jean | C Major | 1 | 8B | 133 BPM | ||
Madama Butterfly / Act 1: Sorride Vostro Onore? | Giacomo Puccini, Christa Ludwig, Luciano Pavarotti, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 105 BPM | ||
Overture "The Consecration of the House", Op. 124 | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 4 | 8B | 144 BPM | ||
Rosen aus dem Süden, Op. 388 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 181 BPM | ||
Tosca / Act 2: Orsù, Tosca, parlate | Giacomo Puccini, Katia Ricciarelli, José Carreras, Heinz Zednik, Ruggero Raimondi, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 126 BPM | ||
La Traviata / Act 2: "Che fai?" - "Nulla" | Giuseppe Verdi, Plácido Domingo, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 3 | 7B | 89 BPM |