"3 Songs for Mixed Choir A Cappella: No. 1, There are Some Men" by Philip Glass, SWR Vokalensemble Stuttgart, Marcus Creed was released on April 8, 2022. The duration of 3 Songs for Mixed Choir A Cappella: No. 1, There are Some Men is about 3 minutes long, at 3:02. Based on our data, "3 Songs for Mixed Choir A Cappella: No. 1, There are Some Men" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Philip Glass, SWR Vokalensemble Stuttgart, Marcus Creed's "Glass: Three Songs for Mixed Choir A Cappella" album is number 1 out of 3. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 3 Songs for Mixed Choir A Cappella: No. 1, There are Some Men is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Songs for Mixed Choir A Cappella: No. 1, There are Some Men by Philip Glass, SWR Vokalensemble Stuttgart, Marcus Creed to be Andante (at a walking pace) because the track has a tempo of 92 テンポ, a half-time of 46テンポ, and a double-time of 184 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love In The Afternoon | Balanescu Quartet | F Major | 2 | 7B | 173 BPM | ||
The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Filma Solo | Gabríel Ólafs | B♭ Major | 0 | 6B | 161 BPM | ||
Nocturne in G Minor | Frédéric Chopin, Ólafur Arnalds, Alice Sara Ott | G Minor | 1 | 6A | 120 BPM | ||
Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM | ||
Myfanwy (Arr. for Solo Cello) | Sheku Kanneh-Mason | G Major | 0 | 9B | 93 BPM | ||
Daguerréotype: 1 Gabrielle - acoustic instrumental | Olivia Belli | D Minor | 1 | 7A | 67 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
Rearranging Furniture | Gabriel Yared | E Minor | 2 | 9A | 79 BPM |