Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, María de los Ángeles Morales, Carlos Munguia, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica's 'Luisa Fernanda: Final acto 1º. Dúo: Caballero de alto plumero - Remastered' had a release date set for May 15, 2006. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Various Artists, Ataúlfo Argenta, Gran Orquesta Sinfonica's "La Zarzuela: Luisa Fernanda" album is number 5 out of 14. In terms of popularity, Luisa Fernanda: Final acto 1º. Dúo: Caballero de alto plumero - Remastered is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Luisa Fernanda: Final acto 1º. Dúo: Caballero de alto plumero - Remastered by Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, María de los Ángeles Morales, Carlos Munguia, Ataúlfo Argenta, Julian Perera, Gran Orquesta Sinfonica to be Moderato (at a moderate speed) because the track has a tempo of 119 テンポ, a half-time of 60テンポ, and a double-time of 238 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sagarraren Punta | Coro De Camara Del Orfeon Donostiarra | A♭ Minor | 1 | 1A | 78 BPM | ||
Les Sylphides: Waltz in G-Flat Major, Op. 70 No. 1 (Orch. Douglas) | Frédéric Chopin, Paris Conservatoire Orchestra, Roger Desormiere | E Major | 3 | 12B | 117 BPM | ||
Monte Carmelo: "Intermedio" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | B♭ Major | 2 | 6B | 76 BPM | ||
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
Molinos de Viento: Dejadnos paso... | Manuel Hernández | F Major | 2 | 7B | 76 BPM | ||
Doña Francisquita | Orquesta Sinfonica de Juan Alfonso | G Minor | 8 | 6A | 104 BPM | ||
Azabache: "La Partida de Casamiento" | Ramona Galindo, Flora Pereira, Eduardo Marcén, Manuel Hernández | C Major | 4 | 8B | 171 BPM | ||
No regreses mas | Federico Romero, Gente Pescaito | B Major | 9 | 1B | 120 BPM | ||
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | E Major | 2 | 12B | 103 BPM | ||
Las Golondrinas, Escena final, I parte: "¡Era mío!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM |