"All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo"" by Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys was released on May 19, 2017. With All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #7. In terms of popularity, All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All'imperio d'Amore: 7. Ineffabile ardore a 6 "Il rapimento di Cefalo" by Giulio Caccini, Ensemble Pygmalion, Raphael Pichon, Deborah Cachet, Zachary Wilder, Lucile Richardot, Davy Cornillot, Virgile Ancely, Maïlys De Villoutreys having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: Hymnus "Ave maris stella" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 1 | 9B | 123 BPM | ||
Circe: XXII. Acte Premier. Ah ! Que l’Amour aurait de charmes | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Lucile Richardot | C Minor | 0 | 5A | 101 BPM | ||
Jesu Meine Freude, BWV 358 | Johann Sebastian Bach, The Hilliard Ensemble | D♭ Minor | 1 | 12A | 75 BPM | ||
Motet pour les trépassés à 8, H. 311: Heu, mihi Domine | Marc-Antoine Charpentier, Caroline Weynants, Violaine Le Chenadec, Stephen Collardelle, Davy Cornillot, Renaud Brès, Ensemble Correspondances, Sébastien Daucé | D♭ Minor | 1 | 12A | 88 BPM | ||
Thésée, LWV 51, Acte troisième Scène 1: "Vous allez bientôt voir votre amant dans ces lieux" (Cléone, Églé) | Jean-Baptiste Lully, Marie Lys, Deborah Cachet, Les Talens Lyriques, Christophe Rousset | A♭ Major | 1 | 4B | 174 BPM | ||
Salve regina: V. O Clemens, o pia | Joseph-Hector Fiocco, Deborah Cachet, Reinoud Van Mechelen, Nicolas Achten, Sönke Tams Freier, Scherzi Musicali | C Minor | 3 | 5A | 91 BPM | ||
Domine a lingua dolosa a 5 | Annibale Padovano, Cinquecento | F Minor | 2 | 4A | 138 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène 3: "Ah ! Je mourrai content" (Télaïre, Castor) | Jean-Philippe Rameau, Emmanuelle De Negri, Colin Ainsworth, Ensemble Pygmalion, Raphael Pichon | G Major | 3 | 9B | 70 BPM | ||
Vespro della Beata Vergine, SV 206: Esurientes | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | B♭ Major | 1 | 6B | 91 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM |