Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey's 'Daliso e Delmita: Overture' came out on March 1, 2008. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Salieri: Overtures and Ballets, Vol. 1 - Armida / Daliso E Delmita / Pafio E Mirra Ossia I Prigionieri Di Cipro / Der Rauchfangkehrer". In this album, this song's track order is #2. Based on our statistics, Daliso e Delmita: Overture's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Daliso e Delmita: Overture by Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey having a テンポ of 120 with a half-time of 60 テンポ and a double-time of 240 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Armida, Atto Terzo Scena 2: Corri, Regina (Ismene, Armida) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Teresa Iervolino, Lenneke Ruiten | C Major | 2 | 8B | 105 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Concerto in D major for Violin, Oboe, Violoncello and Orchestra: 1. Allegro moderato | Antonio Salieri, Heinz Holliger, Thomas Füri, Thomas Demenga, Camerata Bern | D Major | 2 | 10B | 111 BPM | ||
A Midsummer Night's Dream, Op. 61: Scherzo | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Minor | 1 | 6A | 118 BPM | ||
Andante e Rondo ungarese, Op. 35, J. 158 | Carl Maria von Weber, Matthias Rácz, North West German Philharmonic Orchestra, Johannes Klumpp | C Major | 1 | 8B | 85 BPM | ||
Les Danaides: Overture | Antonio Salieri, Montserrat Caballé, Jean-Philippe Lafont, Andrea Martin, Carlo Tuand, Christer Bladin, Maria Trabucco, RAI Chorus, Rome, RAI Symphony Orchestra, Rome, Gianluigi Gelmetti | G Major | 3 | 9B | 121 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | ||
Concerto in C for Flute, Oboe, and Orchestra - Cadenzas by Heinz Holliger: 3. Allegretto (Cadenzas by Holliger) | Antonio Salieri, Aurèle Nicolet, Heinz Holliger, Bamberg Symphony, Peter Maag | C Major | 2 | 8B | 121 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM |