Daniel Barenboim's 'Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.22 in B flat minor BWV867' came out on 2004. The duration of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.22 in B flat minor BWV867 is about 3 minutes long, at 3:20. Based on our data, "Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.22 in B flat minor BWV867" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 44 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. In terms of popularity, Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.22 in B flat minor BWV867 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.22 in B flat minor BWV867 by Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.15 In F Minor, Op.55 No.1 | Frédéric Chopin, Daniel Barenboim | F Minor | 0 | 4A | 80 BPM | ||
24 Preludes For Piano, Op.11: No. 12 In G Sharp Minor | Alexander Scriabin, Yuja Wang | A♭ Minor | 0 | 1A | 73 BPM | ||
Sylvia: Pizzicati | Léo Delibes, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 0 | 5B | 120 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
12 Monferrinas, Op. 49: III. Allegretto con espressione | Muzio Clementi, Howard Shelley | A♭ Major | 0 | 4B | 72 BPM | ||
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Dvorák: Romance in F Minor, Op.11, B. 39 | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | D♭ Major | 2 | 3B | 98 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.20 in A minor BWV865 | Daniel Barenboim | A Minor | 1 | 8A | 116 BPM |