"Qui colis Ausoniam" by Nicolas Gombert, Henry's Eight, Jonathan Brown was released on June 1, 1996. Since Qui colis Ausoniam is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Henry's Eight, Nicolas Gombert's "Gombert: Credo & Other Sacred Music" album is number 4 out of 11. On top of that, United Kingdom appears to be the country where this track was created. Qui colis Ausoniam is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Qui colis Ausoniam by Nicolas Gombert, Henry's Eight, Jonathan Brown to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
聖ウルスラのための朝のアンティフォナ Studium divinitatis, Unde quocumque venientes | Girl Choristers, Lay Clerks of Winchester Cathedral, Sarah Baldock Conductor | G Major | 2 | 9B | 83 BPM | ||
Léonin / Pérotin: Magnus Liber / Feast of St. Stephen: Video celos apertos (Communion) | Léonin, Pérotin, Orlando Consort, Robert Harre-Jones, Stephen Charlesworth, Charles Pott, Michael McCarthy, Julian Clarkson, Westminster Cathedral Choir | G Major | 2 | 9B | 86 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Noel, Adieu Thou Court's Delight | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 1 | 1B | 136 BPM | ||
In Nomine No. 1 a 5 | Orlando Gibbons, Berkeley Festival Consort of Viols, The | D Minor | 0 | 7A | 100 BPM | ||
O malheureuse journée, chanson à 5 | Nicolas Gombert, Huelgas Ensemble, Paul Van Nevel | B Minor | 7 | 10A | 144 BPM | ||
Messe de Barcelone (Barcelone-Bbc, ms. 971): Kyrie | Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard | F Major | 0 | 7B | 73 BPM | ||
Adoramus te, Christe | Francesco Rosselli, Sistine Chapel Choir, Massimo Palombella | C Major | 0 | 8B | 167 BPM | ||
Present Yourselves as a Living Sacrifice | James O'Donnell, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 75 BPM |