"String Quartet in C Minor, Op. Posth.: II. Adagio" by Max Bruch, Diogenes Quartet was released on January 1, 2016. Since String Quartet in C Minor, Op. Posth.: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 12 in Bruch: Complete String Quartets by Max Bruch, Diogenes Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. String Quartet in C Minor, Op. Posth.: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet in C Minor, Op. Posth.: II. Adagio by Max Bruch, Diogenes Quartet is Andante (at a walking pace), since this song has a tempo of 88 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in G Minor: II. Andante un poco sostenuto | Cecil Forsyth, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM | ||
Piano Quintet No. 2 in C Minor, Op. 115: III. Andante moderato | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | G Major | 0 | 9B | 105 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 141 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Intermezzo in modo classico (Version for Orchestra) | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 2 | 9B | 74 BPM | ||
Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
Danses suédoises, Op. 63: XIV. Gehend, ruhig bewegt | Max Bruch, Dana Ciocarlie, Christiane Baume-Sanglard | A Minor | 1 | 8A | 94 BPM | ||
Serenade für Streicher, Op. 6: III. Adagio | Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker Hartung | G Major | 0 | 9B | 77 BPM | ||
Bruch: Violin Concerto No. 3 in D Minor, Op. 58: II. Adagio | Max Bruch, Chloë Hanslip, Martyn Brabbins, London Symphony Orchestra | F Major | 1 | 7B | 144 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi Adagio | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Minor | 0 | 1A | 165 BPM |