"Graciela y Buenos Aires" by Camerata Bariloche was released on January 1, 1994. Since Graciela y Buenos Aires is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Piazzolla, A.: Suite Punta Del Este / Bragato, J.: Graciela Y Buenos Aires / Arizaga, R.: Passacaglia". In this album, this song's track order is #10. In terms of popularity, Graciela y Buenos Aires is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Graciela y Buenos Aires by Camerata Bariloche having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
Ojos Brujos | Leo Brouwer | A Minor | 2 | 8A | 114 BPM | ||
2 Arabesques (arr. for guitar and orchestra): Arabesque No. 1 | Claude Debussy, Gerald Garcia, CSSR State Philharmonic Orchestra, Kosice, Peter Breiner | C Major | 1 | 8B | 91 BPM | ||
Concerto Op. 9 Nº 1 for Harpsichord, Strings and Continuo in A major: Andante | Camerata Bariloche, Mónica Cosachov | D Minor | 3 | 7A | 98 BPM | ||
Impresiones de la Puna (arr. for chamber orchestra): I. Quena: Lento | Anonymous , Alberto Ginastera, Camerata Bariloche | F Major | 0 | 7B | 84 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Violetas (arr. Christoph Denoth) | Julio Sagreras, Christoph Denoth | E Minor | 1 | 9A | 141 BPM | ||
Play Piano Play (10 Übungsstücke für Yuko): VI. Presto possibile | Glenn Gould, Friedrich Gulda, Sasha Grynyuk | B♭ Minor | 3 | 3A | 152 BPM |