"Verdi: Aida, Act 1: "Celeste Aida" (Instrumental Version, Arr. Pryce Jackman)" by Giuseppe Verdi, Sir Neville Marriner, Christopher Warren-Green, Academy of St. Martin in the Fields was released on April 13, 2024. Since Verdi: Aida, Act 1: "Celeste Aida" (Instrumental Version, Arr. Pryce Jackman) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Academy Plays Opera". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Verdi: Aida, Act 1: "Celeste Aida" (Instrumental Version, Arr. Pryce Jackman) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Verdi: Aida, Act 1: "Celeste Aida" (Instrumental Version, Arr. Pryce Jackman) by Giuseppe Verdi, Sir Neville Marriner, Christopher Warren-Green, Academy of St. Martin in the Fields having a テンポ of 96 with a half-time of 48 テンポ and a double-time of 192 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Türk Kapriçyosu | Ferit Tüzün, Howard Griffiths, Deutsches Symphonie-Orchester Berlin | D Major | 0 | 10B | 101 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
In Your Words | Hollers Gang | D♭ Minor | 2 | 12A | 86 BPM | ||
Victory from the Mountain Top | Vintage Realm | A♭ Minor | 2 | 1A | 120 BPM | ||
Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Puccini: Madama Butterfly, Act 1: Introduction - Sharpless' Aria and Entrance of Butterfly (Instrumental Version, Arr. Palmer) | Giacomo Puccini, Sir Neville Marriner, Cynthia Millar, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
Waltz Royale | Jeff Toyne | D Minor | 1 | 7A | 173 BPM | ||
Skyward Journey | Andrew Skeet, Nathan William Klein | C Major | 4 | 8B | 104 BPM |