"Georgie" by Emma Johnson, Royal Philharmonic Orchestra, Julian Reynolds had its release date on January 1, 2004. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Georgie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 20 in Emma Johnson / Voyage by Emma Johnson. In terms of popularity, Georgie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Georgie by Emma Johnson, Royal Philharmonic Orchestra, Julian Reynolds is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
crazy | ismet cerepi | F Minor | 1 | 4A | 114 BPM | ||
Tchaikovsky / Arr. Nakariakov for Trumpet and Orchestra: Variations on a Rococo Theme for Cello and Orchestra, Op. 33: Introduction | Pyotr Ilyich Tchaikovsky, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra | D Minor | 0 | 7A | 89 BPM | ||
3 Gymnopedies: No. 3, Lent et grave (Orch. Debussy) | Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach | A Minor | 0 | 8A | 141 BPM | ||
Carnival of the Animals: Introduction and Royal March of the Lion | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Ayla Sahin, Timothy Ridout, Sheku Kanneh-Mason, Toby Hughes | C Major | 2 | 8B | 81 BPM | ||
Blijf Bij Mij Heer | Dennis Alexander, Wilbert Magré | E♭ Major | 0 | 5B | 68 BPM | ||
Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Phantasiestücke: I. Zart und mit Ausdruck | Robert Schumann, Emma Johnson | E♭ Major | 2 | 5B | 120 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
A Moorside Suite, H. 173: Nocturne | Gustav Holst, Royal Northern Sinfonia, David Lloyd-Jones | B Minor | 0 | 10A | 91 BPM |