Clara Schumann, Lan Rao, Micael Gelius made "Walzer, NR: 1834, (J.P. Lyser) - Lan Rao, Sopran, Micael Gelius, Klavier" available on June 19, 2023. The duration of Walzer, NR: 1834, (J.P. Lyser) - Lan Rao, Sopran, Micael Gelius, Klavier is about 3 minutes long, at 3:00. Based on our data, "Walzer, NR: 1834, (J.P. Lyser) - Lan Rao, Sopran, Micael Gelius, Klavier" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 27 in Clara Schumann Lieder Lan Rao Sopran, Micael Gelius, Klavier (Lieder von Clara Schumann, Lan Rao, Micael Gelius) by Clara Schumann, Lan Rao, Micael Gelius. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Walzer, NR: 1834, (J.P. Lyser) - Lan Rao, Sopran, Micael Gelius, Klavier is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Walzer, NR: 1834, (J.P. Lyser) - Lan Rao, Sopran, Micael Gelius, Klavier by Clara Schumann, Lan Rao, Micael Gelius is Presto (very, very fast), since this song has a tempo of 183 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Piano Sonata No. 18 in D Major, K. 576 "Hunt": II. Adagio | Wolfgang Amadeus Mozart, Mao Fujita | F Minor | 0 | 4A | 110 BPM | ||
String Quartet: I. Modéré | Germaine Tailleferre, Fanny Mendelssohn Quartet | G Major | 4 | 9B | 136 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Variations on a Theme by Robert Schumann, Op. 20: Var. 6 | Clara Schumann, Lisa Maria Schachtschneider | B Minor | 0 | 10A | 77 BPM | ||
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
Symphony No. 2 in C Major, Op. 61: III. Langsam | Robert Schumann, Piano Duo Takahashi | Lehmann | D Major | 7 | 10B | 129 BPM | ||
Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Alexander Borodin, Luke Faulkner | A Major | 1 | 11B | 72 BPM |