Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live)

Richard Strauss, Hans Reinmar, Theo Herrmann, Vienna State Opera Orchestra, Clemens Krauss
Strauss: Arabella, Op. 79, TrV 263 (Live)
3:13 2020年10月16日
テンポ
80
キー
A♭ Minor
キャメロットミュージックキー
1A

リンクを埋め込む

共有

Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) - Richard Strauss, Hans Reinmar, Theo Herrmann, Vienna State Opera Orchestra, Clemens Krauss 情報

音響性
98%
ダンサビリティ
17%
エネルギー
32%
手段性
0%
活気
38%
ラウドネス
79%
話し言葉
3%
価数
4%
人気
ラウドネス
-12.381 dB

まとめ

"Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live)" by Richard Strauss, Hans Reinmar, Theo Herrmann, Vienna State Opera Orchestra, Clemens Krauss was released on October 16, 2020. The duration of Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) is about 3 minutes long, at 3:13. Based on our data, "Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Strauss: Arabella, Op. 79, TrV 263 (Live)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) テンポ

With Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) by Richard Strauss, Hans Reinmar, Theo Herrmann, Vienna State Opera Orchestra, Clemens Krauss having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Arabella, Op. 79, TrV 263, Act I: Ich lasse bitten! (Live) キー

This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinE♭ Major05B79 BPM
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 2 (Arr. E. Guiraud): III. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezE♭ Major05B76 BPM
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo by Gustav Holst, English Sinfonia, Howard GriffithsSt. Paul's Suite, Op. 29, No. 2: III. IntermezzoGustav Holst, English Sinfonia, Howard GriffithsE Minor19A132 BPM
Romeo and Juliet, Op. 64: Introduction by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64: IntroductionSergei Prokofiev, Cleveland Orchestra, Lorin MaazelE Major112B112 BPM
Variation 3: Con moto by Max Reger, New Zealand Symphony Orchestra, Franz-Paul DeckerVariation 3: Con motoMax Reger, New Zealand Symphony Orchestra, Franz-Paul DeckerA Minor08A70 BPM
Cello Sonata in F Major, Op.6: II. Andante ma non troppo by Richard Strauss, Emmanuelle Bertrand, Pascal AmoyelCello Sonata in F Major, Op.6: II. Andante ma non troppoRichard Strauss, Emmanuelle Bertrand, Pascal AmoyelB♭ Major06B171 BPM
The Bartered Bride: Overture by Bedřich Smetana, BBC Symphony Orchestra, Jiří BělohlávekThe Bartered Bride: OvertureBedřich Smetana, BBC Symphony Orchestra, Jiří BělohlávekF Major27B145 BPM
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam by Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzConcertstück in F Major, Op. 86: II. Romanze. Ziemlich langsamRobert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzB♭ Major06B84 BPM
Carmen Suite No. 1: 4. Les dragons d'Alcala by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 4. Les dragons d'AlcalaGeorges Bizet, Orchestre de Paris, Semyon BychkovG Major09B117 BPM
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: III. Moderato -Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoA♭ Major14B149 BPM
ISRC
USB8U1805169
レコードレーベル
L-M Records/RCA Records