"Der Karneval der Tiere, R. 125: IV. Der Schwan" by Camille Saint-Saëns, Ferhan & Ferzan Önder, Raphaela Gromes, Berlin Radio Symphony Orchestra, Johannes Zurl was released on November 15, 2019. The duration of Der Karneval der Tiere, R. 125: IV. Der Schwan is about 3 minutes long, at 3:25. Based on our data, "Der Karneval der Tiere, R. 125: IV. Der Schwan" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 40 in the song's album "Saint-Saëns: Karneval der Tiere & Prokofiev: Peter und der Wolf". In this album, this song's track order is #27. Based on our statistics, Der Karneval der Tiere, R. 125: IV. Der Schwan's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der Karneval der Tiere, R. 125: IV. Der Schwan by Camille Saint-Saëns, Ferhan & Ferzan Önder, Raphaela Gromes, Berlin Radio Symphony Orchestra, Johannes Zurl having a テンポ of 129 with a half-time of 64 テンポ and a double-time of 258 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Midsummer Night's Dream: Wedding March, Op. 61, No. 9 | Felix Mendelssohn, Claus Peter Flor | A♭ Major | 0 | 4B | 84 BPM | ||
Piano Concerto No. 4 in D Minor, Op. 70: I. Moderato assai | Anton Rubinstein, Schaghajegh Nosrati, Berlin Radio Symphony Orchestra, Róbert Farkas | G Minor | 1 | 6A | 122 BPM | ||
Furioso Galopp, Op. 114 (Adapt. by Nikoloz Rachveli for Violin and Orchestra) - VIENNA | Johann Strauss I, Lisa Batiashvili, Berlin Radio Symphony Orchestra, Nikoloz Rachveli | B Major | 3 | 1B | 163 BPM | ||
Capriccio for Piano and Orchestra: II. Andante rapsodico | Igor Stravinsky, Alexej Gorlatch, Alondra de la Parra, Berlin Radio Symphony Orchestra | F Minor | 0 | 4A | 75 BPM | ||
Six Morceaux, VWV 3003: II. Bohémienne (Arr. for Cello & Orchestra by Julian Riem) | Pauline Viardot, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds | C Major | 2 | 8B | 119 BPM | ||
Summer (L'Estate) Op.8 No.2 G Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | G Minor | 0 | 6A | 176 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, London Symphony Orchestra, Claudio Abbado | C Major | 1 | 8B | 59 BPM | ||
Cello Sonata in F Major, [Op. 6, TrV 115], 1st Version: II. Larghetto | Richard Strauss, Raphaela Gromes | C Major | 0 | 8B | 93 BPM | ||
Les pecheurs de perles (The Pearl Fishers), Act I: Au fond du temple saint | Georges Bizet, Bruno Lazzaretti, Roberto Servile, Berlin Radio Symphony Orchestra, Hanns-Martin Schneidt | E♭ Major | 2 | 5B | 87 BPM |