"Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 8, Andante" by Felix Mendelssohn, André Previn, London Symphony Orchestra was released on January 1, 1977. The duration of Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 8, Andante is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 8, Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, André Previn's "Mendelssohn: A Midsummer Night's Dream, Op. 61" album is number 9 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 8, Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 8, Andante by Felix Mendelssohn, André Previn, London Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Orchestra no.1 in F sharp minor op.14: 2. Preghiera. Larghetto | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | A Major | 0 | 11B | 60 BPM | ||
Symphonie fantastique, Op. 14, H 48: 2. Un bal (Valse: Allegro non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 84 BPM | ||
String Quartet No. 6 in F Minor, Op. 80, MWV R30: IV. Finale: Allegro molto | Felix Mendelssohn, New Zealand String Quartet | F Minor | 2 | 4A | 86 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | B♭ Minor | 0 | 3A | 125 BPM | ||
Conus: Violin Concerto in E Minor: I. Allegro molto | Julius Conus, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | E Minor | 2 | 9A | 98 BPM | ||
Respighi: Feste romane, P. 157: I. Circenses | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 3 | 4B | 76 BPM | ||
Prokofiev: Sinfonia Concertante in E Minor, Op. 125: III. Andante con moto | Sergei Prokofiev, Mstislav Rostropovich, Seiji Ozawa, London Symphony Orchestra | B Major | 1 | 1B | 105 BPM | ||
Giselle / Act 1: Introduction | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 135 BPM | ||
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 3. Moderato | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Minor | 1 | 6A | 65 BPM |