"A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato" by Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, Alexander Knox was released on February 3, 2017. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir's "Mendelssohn: A Midsummer Night's Dream" album is number 9 out of 13. In terms of popularity, A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61: No. 5, Allegro appassionato by Felix Mendelssohn, London Symphony Orchestra, Ceri-lyn Cissone, John Eliot Gardiner, Alexander Knox to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My Neighbour TOTORO | Joe Hisaishi, London Symphony Orchestra | C Major | 2 | 8B | 130 BPM | ||
Symphonie Fantastique, Op. 14: II. Un bal | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | A Major | 0 | 11B | 166 BPM | ||
Beethoven: Triple Concerto for Violin, Cello and Piano in C Major, Op. 56: II. Largo (Live) | Ludwig van Beethoven, Martha Argerich, Renaud Capuçon, Mischa Maisky, Orchestra della Svizzera Italiana, Alexandre Rabinovitch-Barakovsky | D Major | 2 | 10B | 143 BPM | ||
Enigma Variations: Variation XIV. E.D.U - Allegro | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Major | 2 | 9B | 88 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | A♭ Major | 1 | 4B | 105 BPM | ||
Prokofiev: Cinderella, Op. 87, Act 3, Scene 2: No. 50, Amoroso | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 74 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 2. Romance. Andante non troppo | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | B♭ Major | 1 | 6B | 90 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 4: Entr'acte | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D♭ Major | 0 | 3B | 81 BPM | ||
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
Piano Concerto in A minor, Op. 54: Intermezzo: Andantino grazioso | Robert Schumann, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra | F Major | 0 | 7B | 90 BPM |