Capella Coloniensis, August Wenzinger, Ulrich Grehling, Otto Schaernack, Gerhard Stenzel, Fritz Neumeyer's 'Concerto grosso In G Minor, Op.6, No.8 "fatto per la notte di Natale": 3. Vivace' came out on January 1, 2003. With Concerto grosso In G Minor, Op.6, No.8 "fatto per la notte di Natale": 3. Vivace being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #7. Concerto grosso In G Minor, Op.6, No.8 "fatto per la notte di Natale": 3. Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto grosso In G Minor, Op.6, No.8 "fatto per la notte di Natale": 3. Vivace by Capella Coloniensis, August Wenzinger, Ulrich Grehling, Otto Schaernack, Gerhard Stenzel, Fritz Neumeyer having a テンポ of 67 with a half-time of 34 テンポ and a double-time of 134 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate Pueri (Psalm 112), R.602: 6. Allegro: Suscitans | Antonio Vivaldi, Margaret Marshall, Felicity Lott, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable, Harold Lester | B Minor | 2 | 10A | 97 BPM | ||
12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Helmut Koch, Kammerorchester Berlin | E♭ Major | 2 | 5B | 116 BPM | ||
Mass in C Major, Op. 86: Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Concerto a due cori No. 2, HWV 333: V. Allegro ma non troppo – Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 4 | 6B | 122 BPM | ||
Missa solemnis in D major, Op. 123: III. Credo: Credo in unum Deum. Allegro ma non troppo | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Et tu prétends encore | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli, Walton Groenroos | C Minor | 3 | 5A | 84 BPM | ||
Mysliveček: Il Bellerofonte: "Pria ch’io perda" (Ariobate) | Josef Mysliveček, Vaclav Luks, Krystian Adam | A Major | 1 | 11B | 78 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": III. Recitativo, Tenor solo: Saget es, die ihr erlöst seid | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Patrick Grahl | E Major | 1 | 12B | 72 BPM | ||
Armida, Atto primo Scena 3: Ecco l'onda insidiosa (Ubaldo, Ismene) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Ashley Riches, Teresa Iervolino | B♭ Major | 1 | 6B | 125 BPM | ||
Elias, Op. 70, MWV A25, Pt. 1: Herr, höre unser Gebet (Live) | Felix Mendelssohn, Marlis Petersen, Lioba Braun, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E Major | 1 | 12B | 175 BPM |