"Lazarus Requiem: Tableau Five" by Patrick Hawes, Thomas Walker, Rachael Lloyd, Royal Scottish National Orchestra was released on April 2, 2012. The duration of Lazarus Requiem: Tableau Five is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Lazarus Requiem: Tableau Five's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Patrick Hawes, Elin Manahan Thomas, Thomas Walker, Rachael Lloyd, Royal Scottish National Orchestra's "Lazarus Requiem" album is number 11 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Lazarus Requiem: Tableau Five is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lazarus Requiem: Tableau Five by Patrick Hawes, Thomas Walker, Rachael Lloyd, Royal Scottish National Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Pardisum | Corydon Singers | B Major | 2 | 1B | 82 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": IV. Largo. Goin' Home (Arr. Koncz For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 94 BPM | ||
Spaseniye sodelal yesi posrede zemli (Salvation is Created), Op. 25, No. 5 | Pavel Chesnokov, Dale Warland Singers, Dale Warland | D Major | 0 | 10B | 133 BPM | ||
Unst Bridal March | Catherine Strutt, Julian Thompson | A Major | 0 | 11B | 83 BPM | ||
L'amour, le temps | Bernat Vivancos, Sigvards Kļava, Latvian Radio Choir | A Minor | 0 | 8A | 77 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 110 BPM | ||
Rain Falling from the Roof | Wu Tong, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 126 BPM | ||
The Sweetheart of the Sun | Eric William Barnum, Choral Arts, Robert Bode | D Major | 1 | 10B | 74 BPM |