David Popper, Dmitry Yablonsky made "Hohe Schule des Violoncello-Spiels (High School of Cello Playing), Op. 73: Etude No. 3 in B-Flat Minor" available on January 27, 2009. With Hohe Schule des Violoncello-Spiels (High School of Cello Playing), Op. 73: Etude No. 3 in B-Flat Minor being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Popper, D.: High School of Cello Playing, Op. 73". In this album, this song's track order is #3. In terms of popularity, Hohe Schule des Violoncello-Spiels (High School of Cello Playing), Op. 73: Etude No. 3 in B-Flat Minor is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Hohe Schule des Violoncello-Spiels (High School of Cello Playing), Op. 73: Etude No. 3 in B-Flat Minor by David Popper, Dmitry Yablonsky having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in D Minor, HWV 437: II. Courante - Adapted by Marina Baranova | George Frideric Handel, Marina Baranova | D Minor | 3 | 7A | 159 BPM | ||
Sonata for Solo Violin in A Minor: I. [Prelude] | Johann Georg Pisendel, Isabelle Faust | A♭ Major | 0 | 4B | 81 BPM | ||
Deuxieme livre, Suite en Mi: XI. La villageoise | Jean-Philippe Rameau, Alexander Paley | E Minor | 0 | 9A | 76 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 23 in B major, BWV 868 | Luc Beauséjour | B♭ Major | 4 | 6B | 128 BPM | ||
Ayres for the Violin, Book I (Arr. for Violoncello Piccolo): Preludio | Nicola Matteis, Ophélie Gaillard, Pulcinella Orchestra | A♭ Minor | 0 | 1A | 119 BPM | ||
John Merro's Book: Lachrimae for Solo Lyra-Viol | Anonymous Anon., Jonathan Dunford | D♭ Major | 1 | 3B | 102 BPM | ||
Chamber Symphony in F Major, Op. 73a (Arr. R. Barshai): II. Moderato con moto | Rudolf Barshai, Dmitri Shostakovich, Kyiv Virtuosi, Dmitry Yablonsky | C Major | 1 | 8B | 125 BPM | ||
Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Racha Arodaky | D Minor | 4 | 7A | 132 BPM | ||
15 Inventionen: No. 1 in C Major, BWV 772 | Inge Rosar | F♯ Minor | 1 | 11A | 108 BPM | ||
12 Concerti grossi con una pastorale, Op. 8, No. 7 in D Minor: II. Adagio con affetto & III. Allegro - Adagio | Giuseppe Torelli, Ostrava Janáček Chamber Orchestra, Ivan Zenaty, František Xaver Thuri | E Minor | 2 | 9A | 121 BPM |