Scarlett O'Hara's 'Dude, You're Being That Guy' came out on September 14, 2010. The duration of Dude, You're Being That Guy is about 3 minutes long, at 3:28. Based on our data, "Dude, You're Being That Guy" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Scarlett O'Hara's "Lost In Existence" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Dude, You're Being That Guy is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Dude, You're Being That Guy by Scarlett O'Hara to be Moderato (at a moderate speed) because the track has a tempo of 118 テンポ, a half-time of 59テンポ, and a double-time of 236 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Thought You'd Be Dead By Now | Us, From Outside | F Minor | 10 | 4A | 160 BPM | ||
Silent Creek | Ten After Two | F Minor | 10 | 4A | 145 BPM | ||
We Left Our Souls in New Jersey | The Paramedic | B Minor | 10 | 10A | 96 BPM | ||
Bar Fightz & Disco Lightz | Everyone Dies In Utah | B Major | 9 | 1B | 145 BPM | ||
If Not, For Ourselves | Woe, Is Me | F Major | 10 | 7B | 184 BPM | ||
Beauty in the Eyes of the Beholder | A Bullet for Pretty Boy | C Minor | 8 | 5A | 94 BPM | ||
Changes | From Atlantis | G Major | 10 | 9B | 140 BPM | ||
Reborn | This Romantic Tragedy | D♭ Major | 8 | 3B | 140 BPM | ||
No Bleeding On the Carpet | Outline In Color | A Major | 10 | 11B | 145 BPM | ||
Blessed Be Our Ever After | Burden Of A Day | F Major | 9 | 7B | 160 BPM |