Giuseppe Gazzaniga, John Aler, Julie Kaufmann, Jean-Luc Chaignaud, Munich Radio Orchestra, Stefan Soltesz's 'Don Giovanni o sia il convitato di pietra: Con vostra permissione' had a release date set for February 5, 2021. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Don Giovanni o sia il convitato di pietra: Con vostra permissione's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 141 in the song's album "Opera Rarities". In this album, this song's track order is #18. Don Giovanni o sia il convitato di pietra: Con vostra permissione is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Don Giovanni o sia il convitato di pietra: Con vostra permissione by Giuseppe Gazzaniga, John Aler, Julie Kaufmann, Jean-Luc Chaignaud, Munich Radio Orchestra, Stefan Soltesz having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
French Suite No. 6 in E Major, BWV 817: VI. Menuet (arr. for orchestra) | Johann Sebastian Bach, L. Schmutzler, Moscow Chamber Orchestra, Constantine Orbelian | F Major | 1 | 7B | 132 BPM | ||
Symphony No. 1 in C, Op. 21: 4. Finale (Adagio - Allegro molto e vivace) | Ludwig van Beethoven, Academy of Ancient Music, Christopher Hogwood | G Major | 2 | 9B | 78 BPM | ||
Wybór z Aktu I: Uwertura | Lenka Cafourkova, Natalia Rubiś-Krzeszowiak, Krystian Adam, Vaclav Cizek, Jan Martinik, Tomas Kral, Collegium vocale 1704, Collegium 1704, Vaclav Luks | D Major | 2 | 10B | 95 BPM | ||
Don Giovanni (Version without Recitatives): Scena XII: Aria "A me schiaffi sul mio viso!" (Biagio) | Giuseppe Gazzaniga, Bruno Weil, Tafelmusik Baroque Orchestra | B♭ Major | 2 | 6B | 138 BPM | ||
Quintet in E-Flat Major, Op. 10, No. 3, Ben. 282: I. Adagio | Ignaz Pleyel, Orsolya Kaczander, Lajos Lencsés, Vilmos Szabadi, Péter Bársony, Péter Szabó | G Major | 1 | 9B | 78 BPM | ||
Bagatelle No. 2 for String Quartet: Agitato E Appassionato | Jordan Zhu | F Major | 2 | 7B | 143 BPM | ||
L 'isola d 'Alcina: Atto I: Donna io sono di buon cuore (Aria) | Giuseppe Gazzaniga, L'Arte del mondo, Werner Ehrhardt, Francesca Lombardi Mazzulli | F♯ Minor | 1 | 11A | 99 BPM | ||
Mass No. 2 in G Major, D. 167: Benedictus: Benedictus qui venit | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Symphonie Concertante in F Major, Op. 10 No. 1: II. Allegro | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Pavla Honsová, Czech Philharmonic Chamber Orchestra, Michael Halasz | C Major | 1 | 8B | 118 BPM | ||
Divertimento for Flute, Violin & Cello in G Major, Hob. IV:7: I. Allegro | Joseph Haydn, Les curiosités esthétiques, Jean-Pierre Pinet | B Major | 0 | 1B | 88 BPM |