"White Landscapes, Op. 47a: II. Stillness in Snow. Moderato" by Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price was released on September 1, 1998. The duration of White Landscapes, Op. 47a: II. Stillness in Snow. Moderato is about 3 minutes long, at 3:15. Based on our data, "White Landscapes, Op. 47a: II. Stillness in Snow. Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Yoshimatsu: Piano Concerto "Memo Flora" by Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Joe Houghton, Kate Wilson, Jonathan Price, Kyoko Tabe. The song's track number on the album is #8 out of 9 tracks. White Landscapes, Op. 47a: II. Stillness in Snow. Moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since White Landscapes, Op. 47a: II. Stillness in Snow. Moderato by Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With White Landscapes, Op. 47a: II. Stillness in Snow. Moderato being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Horny Night - Bastian Harper & Daniel Pelè Club Mix | Bastian Harper, Jonathan Price | B Minor | 7 | 10A | 126 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 1, Adagio "Lovely on the Water" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 69 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Postcards from the Sky: I. Unfolding Sky | Marjan Mozetich, CBC Vancouver Orchestra, Mario Bernardi | F Major | 0 | 7B | 103 BPM | ||
Komm, süsser Tod, BWV 478 (Arr. L. Stokowski for Orchestra) | Johann Sebastian Bach, Yannick Nézet-Séguin, Orchestre Métropolitain | B♭ Minor | 0 | 3A | 79 BPM | ||
Bassoon Concerto in F Major: I. Allegro maestoso | Carl Stamitz, Douglas Boyd, Laurence Perkins, Manchester Camerata | D Major | 0 | 10B | 125 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
Must the Devil Have All the Good Tunes?: II. Much Slower; Gently, Relaxed | John Adams, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | F Major | 1 | 7B | 60 BPM | ||
He Was Despised (Variations on a Theme of Handel): V. Variation IV. Siciliana | Nicholas Simpson, Manchester Camerata | G Major | 0 | 9B | 151 BPM |